Tuesday, August 19, 2008

Weeds (TV show) and Spring Awakening link

The DVD has been with me for quite some time, but it was only recently when I started watchng this series. After two episodes, I was hooked. This is a really funny and clever show!

Mary Louise Parker (remember her from Angels in America?) stars as Nancy Botwin, a single mom of two who deals marijuana to make ends meet in the suburbs of Agrestic.

Mary Louise Parker as a single mom dealing in the suburbs


Flashback: A video of her as Harper in the Mike Nichols version of Angels in America


Season 1 trailer


Weeds promo


I was looking for information about the show online when I saw a "Spring Awakening" tag in one of the sites so I checked it out. Interestingly, Hunter Parrish, who plays the elder son Silas in the series, is taking over the role of Melchior Gabor in Spring Awakening starting Monday, Aug.18.

There's an article and a good rehearsal clip from Broadway.com:



Monday, August 18, 2008

Shrek the Musical



The new Shrek Musical, based on the beloved Dreamworks animated film, opened in Seattle for its preview run last Friday. Samplers have been on The Singing Stage for quite some time, but it was only recently that I got to listen to them. Thanks for calling my attention to this again, Martin.

For the past four days, I've been listening to these tracks repeatedly. Really enjoyable tunes! Most will probably roll their eyes and say, "there goes another film they're making into a musical..." Before you pass judgment, though, listen to these tracks. Even though we don't encounter tremendous new works from Flaherty and Ahrens, Sondheim, or Webber nowadays, there are some productions that still catch our attention. Sana lang hindi na mauwi sa puro film-to-stage adaptation at magkaroon muli ng bagong konsepto na magiging classic balang araw.


"Big bright beautiful world" is the opening number that explains how Shrek (Bryan D'arcy James) began to live alone in the swamp.

"I could get used to this" is by Donkey (Chester Gregory II) when he crashes Shrek's pad for the first time.

"I know it's today" is princess Fiona's song as she waits for her prince. It starts out with the little Fiona and ends up with a full-grown princess played by the amazing Sutton Foster.

"The Wall" is Shrek's response to how everyone receives his heroism.





Here are some links to articles about the production.

Shrek the Musical Homepage

USA Today: Shrek role turns stage actor into an ogre
The News Tribune: From Seattle to Broadway- The Journey for Shrek the Musical
The Seattle Times The Arts- Shrek reaches a new stage

Some images from the last link

Download the SHREK audio files from Rapidshare.

Watch TANGHALANG ATENEO'S OTELO

I'll probably catch the Aug.20 preview and see it a second time to catch the alternates. (Great actors and actresses in the list!) A former student of mine in TA's sending the cast dates, so if you want to catch them all as well, let me know.

---


letterhead.jpg picture by iaaaaa

TANGHALANG ATENEO STAGES SHAKESPEARE’S

OTHELLO

Music may soothe a savage beast, but in Tanghalang Ateneo’s production of Shakespeare’s Othello: Ang Moro ng Venecia, rendered in Filipino by Rogelio Sicat and Luna Sicat-Cleto, music will incite a savage beast and devastate people’s lives. The play runs from August 20 to September 6 at the Rizal Mini-Theater , Loyola Schools , Ateneo de Manila University.

IMG-0096-1.jpg picture by iaaaaa

Tanghalang Ateneo’s second of three 30th season productions, Othello features a guitar-toting Iago who, like a wicked Pied Piper, uses his music to help lure and lead his enemies to destruction. By the play’s end, Iago rakes in five victims, but his prize catch is the mighty Othello, a foreign military general whom Iago despises for bypassing him as lieutenant; for marrying Desdemona, a fellow Venetian; and in his mind at least, for having a torrid affair with his wife. His plot: to make Othello believe that Desdemona sleeps around with a young lieutenant. Othello eventually succumbs to Iago’s insinuations, grows raving mad, strangles Desedmona to death, and then kills himself. Iago’s destruction of the Other is complete: the mighty warrior has fallen.

IMG-0109.jpg picture by iaaaaa

Theater stalwarts Nonie Buencamino and Teroy Guzman alternate as Othello, the Moor caught between the angel of a Desdemona, alternately played by Irma Adlawan and Missy Maramara, and the devil of an Iago, played by Ron Capinding and Rody Vera. Supporting them are the talents of Neil Ryan Sese and Randy Villarama who portray Cassio, the handsome lieutenant; Rachel Quong as Emilia; Exzell Macomb and Jaru Hermano as Roderigo, Joseph dela Cruz as Brabantio/Ludovico; Regina de Vera and Lara Agay as Bianca; Glen Mas and John Aguas as the Duke.

IMG-0102-1.jpg picture by iaaaaa

Ricky Abad, who once played Iago in a World Theater Project production of this Shakespeare classic, directs the play assisted by B.J. Crisostomo. National Artist Salvador Bernal designs the set and costumes, Jonjon Villaruel oversees the lights design, Reamur David carries out the sound design, while Ruben Reyes executes several variations of a Shakespearean song as the play’s musical theme.


Iago’s destruction of the Other echoes the violence spawned today by religious and ethnic strife. Othello reminds modern audiences that those who seek out to destroy others only destroy themselves. The play is a plea for tolerance, acceptance, and the embracing of difference.

IMG-0111.jpg picture by iaaaaa

Othello runs at the Rizal Mini Theatre in the Ateneo de Manila University starting from 21st - 23rd and the 27th - 30th of August, and the 4th and 6th of September, at 7 in the evening. There will be Saturday matinee shows on the 23rd and 30th of August, at 2 in the afternoon. This production is made possible by Intermatrix Document Solutions, The Perfect White Shirt, Casa Ilongga and Clickthecity. com and Dutchboy Paints. For ticket inquiries and reservations, please contact Jeselyn Jagong at 0916-521-5154.

Beware the green-eyed monster.

Watch TANGHALANG PILIPINO's GOLDEN CHILD!

I have yet to gather my thoughts regarding this production. (Kasama na ng pag-edit sa sinulat ko tungkol sa mga pagkatagal-tagal ko nang napanood, haha). Still, I'd like to promote this since I really had a good time watching it last Sunday. Great writing from David Henry Hwang and the ensemble and production design were excellent as well. Really intrigued on how it'll turn out in Filipino.

Oh, and it's billed as a "family drama," but don't let that lead you into thinking this is a sappy melodrama. Like what most who have seen it say: it's no "Mano Po" at all. The text is really engaging. It's very witty with lots of funny moments-- another great Hwang creation. Don't miss it!


From TP:

GOLDEN CHILD

by DAVID HENRY HWANG

Opening August 8, 2008 ▫ 8:00 P.M.

Tanghalang Aurelio Tolentino (CCP Little Theater)

Art Acuña ▫ Irma Adlawan Marasigan ▫ Liesl Batucan ▫ Tina Chilip ▫ Tess Jamias ▫ Leo Rialp

Directed by LOY ARCENAS

GOLDEN CHILD is about Eng Tien Bin, a businessman who has spent years doing business in the Philippines, and his return to China in the early 20th Century. Having been exposed to Christianity and western ways, he sets about unbinding his traditional Chinese household. His efforts lead to a game of one-upmanship among his three wives, leading to unintended consequences.

Golden Child in Filipino (Translation by Dennis Marasigan)
8PM Shows on Aug. 22, 23, 29, 30
3PM Shows on Aug. 23, 24, 30, 31

The final show is said to be in English again. Not sure, though if it's going to be the Aug.31 show or there'll be an additional show on the 1st week of September.

Some reviews:

Philippine Entertainment Portal: "TP's Golden Child resonates with Chinoy culture"
Prof. Joey Ting's Review: "The Cinematic Impulse in TP's Golden Child"

Saturday, August 16, 2008

Harry Potter and the Half-Blood Prince- Rescheduled, Bellatrix pics

Sad news taken from mugglenet.com.

Half-Blood Prince delayed until July 17th, 2009 Warner Brothers has just announced that Half-Blood Prince will be delayed. The film will instead be released on July 17th, 2009. From the press release:

In making the announcement, Mr. Horn stated, “Our reasons for shifting ‘Half-Blood Prince’ to summer are twofold: we know the summer season is an ideal window for a family tent pole release, as proven by the success of our last Harry Potter film, which is the second-highest grossing film in the franchise, behind only the first installment. Additionally, like every other studio, we are still feeling the repercussions of the writers’ strike, which impacted the readiness of scripts for other films—changing the competitive landscape for 2009 and offering new windows of opportunity that we wanted to take advantage of. We agreed the best strategy was to move ‘Half-Blood Prince’ to July, where it perfectly fills the gap for a major tent pole release for mid-summer.”

Read the full release:
Press Release:
BURBANK, CA, August 14, 2008 – Warner Bros. Pictures today announced that it has moved back the release date of “Harry Potter and the Half-Blood Prince” to Summer 2009. The sixth installment of the blockbuster Harry Potter franchise will now open day-and-date domestically and in the major international markets on July 17, 2009. The announcement was made by Alan Horn, President and Chief Operating Officer, Warner Bros.

In making the announcement, Mr. Horn stated, “Our reasons for shifting ‘Half-Blood Prince’ to summer are twofold: we know the summer season is an ideal window for a family tent pole release, as proven by the success of our last Harry Potter film, which is the second-highest grossing film in the franchise, behind only the first installment. Additionally, like every other studio, we are still feeling the repercussions of the writers’ strike, which impacted the readiness of scripts for other films—changing the competitive landscape for 2009 and offering new windows of opportunity that we wanted to take advantage of. We agreed the best strategy was to move ‘Half-Blood Prince’ to July, where it perfectly fills the gap for a major tent pole release for mid-summer.”

Jeff Robinov, President of Warner Bros. Motion Picture Group, confirmed, “The release date change does not alter the production schedule for this or future Harry Potter films. Post-production on ‘Half-Blood Prince’ was completed on time, and the studio’s release plans for the two-part ‘Harry Potter and the Deathly Hallows’ will not be affected by this change. We know Harry Potter fans are eagerly anticipating seeing the final chapters unfold onscreen. In fact, the good news for them is that the gap will now be shortened between ‘Half-Blood Prince’ and the first part of ‘Harry Potter and the Deathly Hallows.’”

Commenting on the release date change for “Harry Potter and the Half-Blood Prince,” David Heyman, the producer of all the Harry Potter films, offered, “When Jeff Robinov explained the rationale behind moving the release date of ‘Harry Potter and the Half-Blood Prince’ to July 2009, it was immediately apparent that this offered us the potential to reach the widest possible audience. I am extremely proud of this latest film and of the work of David Yates and our incomparable cast; I believe we have developed and pushed the series further still. We are all looking forward to sharing it with Harry Potter fans around the world, even if we have to wait just a bit longer.”

David Yates, the director of both “Harry Potter and the Order of the Phoenix” and “Harry Potter and the Half-Blood Prince” and who will also helm “Harry Potter and the Deathly Hallows,” added, “It has been a joy to work on ‘Harry Potter and the Half-Blood Prince.’ Dan, Rupert and Emma and all our returning young cast continue to blossom, and our new cast members bring fresh color and life to Hogwarts. Even as we put the finishing touches on this latest film, we are already beginning preparations on the final two films—we start filming in February—and I am excited to bring this remarkable series to the exciting and moving conclusion its loyal fans deserve.”

In “Harry Potter and the Half-Blood Prince,” Voldemort is tightening his grip on both the Muggle and wizarding worlds and Hogwarts is no longer the safe haven it once was. Harry suspects that dangers may even lie within the castle, but Dumbledore is more intent upon preparing him for the final battle that he knows is fast approaching. Meanwhile, the students are under attack from a very different adversary as teenage hormones rage across the ramparts. Love is in the air, but tragedy lies ahead and Hogwarts may never be the same again.

Warner Bros. Pictures presents a Heyday Films production, “Harry Potter and the Half-Blood Prince.” David Yates, who directed last year’s summer blockbuster “Harry Potter and the Order of the Phoenix,” returns to direct “Harry Potter and the Half-Blood Prince.” David Heyman and David Barron are the producers, with Lionel Wigram serving as executive producer. Steve Kloves wrote the screenplay, based on the book by J.K. Rowling.

Daniel Radcliffe, Rupert Grint and Emma Watson are reprising their roles as young wizards Harry Potter, Ron Weasley and Hermione Granger. The film also stars Jim Broadbent, Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Michael Gambon, Alan Rickman, Maggie Smith, Timothy Spall, David Thewlis and Julie Walters. The cast also features David Bradley, Jessie Cave, Frank Dillane, Tom Felton, Matthew Lewis, Evanna Lynch, Helen McCrory, Natalia Tena, Hero Fiennes Tiffin, and Bonnie Wright.

“Harry Potter and the Half-Blood Prince” will be released by Warner Bros. Pictures, a Warner Bros. Entertainment Company.


NEW PICTURES (From Mugglenet)

Battle!


Wild witch


Severus Snape, Narcissa Malfoy, and Bellatrix Lestrange: The Unbreakable Vow

Friday, August 8, 2008

Para kay Lorenz sa ika-40 na araw.

Mula sa Sonnets to Orpheus ni Ranier Maria Rilke

XIX Ester Teil

Wandelt sich rasch auch die Welt
wie Wolkengestalten,
alles Vollendete fällt
heim zum Uralten.

Über dem Wandel und Gang,
weiter und freier,
währt noch dein Vor-Gesang,
Gott mit der Leier.

Nicht sind die Leiden erkannt,
nicht ist die Liebe gelernt,
und was im Tod uns entfernt,

ist nicht entschleiert.
Einzig das Lied überm Land
heiligt und feiert.



XIX Part One (tr. Steven Mitchell)


Though the world keeps changing its form
as fast as a cloud, still
what is accomplished falls home
to the Primeval.

Over the change and the passing,
larger and freer,
soars your eternal song,
god with the lyre.

Never has grief been possesed,
never has love been learned,
and what removes us in death

is not revealed.
Only the song through the land
hallows and heals.



XIX Unang Bahagi

Kahit kay bilis ng pagbabago ng mundong
tilang nagmamadaling ulap,
lahat ng ganap ay umuuwi
sa Sinauna.

Higit sa pagbabago at pangungulila,
malayo at malayang
nagpapatuloy ang pag-awit mo,
diyos ng lira.

Kailanma'y kalungkuta'y di naangkin,
Kailanma'y pag-ibig ay di natutunan,
ni ang naghihiwalay sa atin sa Kamatayan,

ay 'di pa natutuklasan
Tanging awitin sa ibabaw ng kalupaan
Sa buhay nati'y bumabasbas at lumunlunas




Sa mga hindi pa nabasa ito, I'm reposting Lorenz's first essay in our college English class. Our professor, DM Reyes, chose this essay to be workshopped by the class. Lorenz read it and we were speechless afterwards. There wasn't a single thing we wanted to change- it was perfect. His papers never got workshopped since then. (There were more of us lesser beings to attend to. Haha.)

SInce his first essay was about writing and memory, this post is dedicated to remembering him.

---

Jose Lorenzo A. Tan


8 July 2002

A Waste

For some people, it’s their fabulous jewels or their Manolo Blahniks; for others, it’s the collection of robot figurines that they hand-painted themselves; for others still, it’s the family photo albums. Everyone has that “most prized possession” that can’t be traded for anything.

My most prized possession is my journal.

Don’t get me wrong, I’ve also been known to plunge myself into the baser pleasures of secular humanism: my money and smut come in second and third. However, these things are dispensable items that I can replace easily in the event that they burn away or get stolen. In contrast, how can I retrieve five years’ worth of my life?

My journal is more than just a repository of excellent prose that recalls the scent of dead flowers; it is the archive of my very soul. (But then I suppose every person’s journal is that person --- unless that journal is of the perverted type which contains false accounts intended as a psychological palliative for autosuggestion, but these are rare cases).

Having eulogized my journal, I have put the reader in a better position to understand the horror of what happened recently.

A few nights ago, the computer hanged suddenly on my sister. Not only did it stop responding; it also started to generate a mechanical sound from inside the CPU. It was the sound of a ticking time bomb.

In light of the strange circumstances, Papa decided to bring the CPU over to the computer store to have it checked. Hearing him announce his plans during lunch that day made me think immediately of my journal, which I write on the computer. Would I have to save it on a diskette, I asked, worried that it would be erased in the shop. Papa said I didn’t have to, since the technicians would probable save the files themselves.

The bad news is that I believed him.

When Papa returned home more than two hours later, I rushed down the stairs to finally start writing. Quite anxious for my fix, I hooked up the wires myself, turned on the machine, and looked for my files.

You guessed correctly (thanks to my foreshadowing clues). They were not there. Not being the edgy type, I postponed my glass-shattering shriek and half-calmly asked Papa whether the good men at the store had saved the files.

There is no need to recount his reply, but I will because I'm partly masochistic: No, he said. The technicians replaced the entire hard drive, saving nothing.

Although I found that afternoon that I had lost, fortunately, just one entry, May 24, 2002 (I had backed up the rest a few days before), I still felt deeply bereaved, as if someone I loved just died. Losing body parts, according to Vogue, can be very traumatic for people, but especially for women who lose their breasts in mastectomies. Well, I felt like I had just had my breasts sliced off when I heard that May 24, 2002 was gone forever. I felt ill and considering my inclination to nausea, I was surprised that I didn't throw up.

May 24, 2002, was a page long. I was in labor for at least two hours with her, writing until around midnight last Friday.

Other people mourn their pets but I have only my journal. Its entries are my hamsters, goldfish, dogs. When one of them suddenly ceases to exist, I weep just as bitterly. In many ways, my loss is deeper, since I have lost nothing external like a domesticated organism, but part of my self. Attending my own funeral, burying my breast: that's how it feels.

These are histrionics, to be sure, but the drama is only slightly exaggerated. I wasted my time on this entry. Antoine de Saint-Exupery would say I tamed it. Of course I have no illusions about the quality of that work - it would never win the Pulitzer or the Palanca. However, it could have made the "Young Blood" column and without a doubt, the Inquirer's terrible "2BU" section, which every non-dullard teenager should spurn!

All these reasons fall under the same heading: waste. "Waste," Rhett Butler said in Gone with the Wind, "makes me mad." Or something like that. This is exactly what my Journal is supposed to be prophylactic against - forgetting, which to my mind, is one of the most horrible forms of waste.


Thursday, August 7, 2008

Harry Potter-Tales of Beedle the Bard to be released in December

Finally, another Potter-related book release before the comprehensive encyclopedia.


News from www.mugglenet.com and the official Scholastic Website:


The Tales of Beedle the Bard, a Wizarding classic, first came to Muggle readers’ attention in the book known as Harry Potter and the Deathly Hallows. Now, thanks to Hermione Granger’s new translation from the ancient runes, we present this stunning edition with an introduction, notes, and illustrations by J. K. Rowling, and extensive commentary by Albus Dumbledore. Never before have Muggles been privy to these richly imaginative tales: “The Wizard and the Hopping Pot,” “The Fountain of Fair Fortune,” “The Warlock’s Hairy Heart,” “Babbitty Rabbitty and Her Cackling Stump,” and of course, “The Tale of the Three Brothers.” But not only are they the equal of fairy tales we now know and love, reading them gives new insight into the world of Harry Potter.

The stories are accompanied by delightful pen-and-ink illustrations by Ms. Rowling herself, featuring a still-life frontispiece for each one. Professor Dumbledore’s commentary—apparently written some eighteen months before his death—reveals not just his vast knowledge of Wizarding lore, but also more of his personal qualities: his sense of humor, his courage, his pride in his abilities, and his hard-won wisdom. Names familiar from the Harry Potter novels sprinkle the pages, including Aberforth Dumbledore, Lucius Malfoy and his forebears, and Sir Nicholas de Mimsy-Porpington (or “Nearly Headless Nick”), as well as other professors at Hogwarts and the past owners of the Elder Wand. Dumbledore tells us of incidents unique to the Wizarding world, like hilariously troubled theatrical productions at Hogwarts or the dangers of having a “hairy heart.” But he also reveals aspects of the Wizarding world that his Muggle readers might find all too familiar, like censorship, intolerance, and questions about the deepest mysteries in life.

Altogether, this is an essential addition to our store of knowledge about the world and the magic that J. K. Rowling has created, and a book every true Harry Potter fan will want to have for their shelves.

This purchase also represents another very important form of giving: From every sale of this book, Scholastic will give its net proceeds to The Children’s High Level Group, a charity cofounded in 2005 by J. K. Rowling and Emma Nicholson MEP to make life better for vulnerable children.